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Keep Your Children In Style With Tralala Clothing

There is a very unique clothes shopping experience awaiting mothers of little girls. The clothes come from California, but their inspiration comes from years ago in France.
Anastasia Backstrand is the owner and designer of Tralala, a children’s clothing boutique. Long before leaving France, Backstrand was mesmerized by patterns and colors. She eventually earned an education in fashion design in Paris. In the mid 90s, she left France for California, where she lives and designs clothing today. Tralala became a reality in 2003 with her vision to design high-end children’s clothing.
With one purchase from Tralala you’ll have the best dressed kids on the playground. Tralala clothing lets playtime be comfortable as well as fashionable. With a French look of floral appliques and black or red toile patterns, Tralala delivers both to your kids.
It is nothing short of an understatement to say that the clothing line from Tralala is unique. The clothing is made from 100% soft-combed cotton. The clothing has not been pre-shrunk so the fashions will shrink the first time they are washed. The French children’s wear is sized for average children at every age so take that into account when choosing the appropriate size for your little darlings.
The company offers limited edition, one-of-a-kind prints exclusive to Tralala. The prints may best be described as classic or romantic. Some of her designs add a bit of Oriental flare with bold black and white fabric outlines for skirts and play clothes sets for every child from infants to youth size. One look and you’ll have no doubt that they are something special.
New for the Spring 2009 collection is an organic baby and toddler clothing line called Pure. The one-time fashions that catered to little girls, offers babies of both genders a chance to get to feel the luxurious and stylish cotton fabrics that are a signature of the Tralala clothing lines.
The clothing is made from 100% bamboo cotton, mother of pearl buttons, and organic satin. The collection will include dresses, layettes, pant sets, and blankets. The goal with the line is to be more stylish and appealing than the usually bland, organic clothing available.
A portion of all sales from the Pure line will be given to the organization Kids in Distressed Situation. The organization helps kids with the pure necessities of life such as shelter, food, and clothes.
Tralala makes a habit of helping out those in need. It’s also been involved with the Make-A-Wish Foundation and Feed the Children.
Although Tralala is a very high-end children’s clothing line, it is available at boutiques across the country, as well as over the Internet. If you’re looking for unique clothing for your little girl or a baby shower gift for any newborn, you’ll definitely want to take a look at what Tralala has to offer. The fabric looks the part of expensive French fashion but it will become your child’s favorite clothing to wear for its down-to-earth comfort.

Mannequins Are Among The Most Effective Sales Tools In A Retail Clothing Environment.

There are records as early as 1300 BC of mannequin forms in ancient Egyptian tombs. There were life-size, miniature and oversized replicas of the human form. Some imitated kings and others the forms of gods. The purpose of these was obviously not the display of clothing, but rather they held deep religious and historical significance. Though these tomb vigils were not designed for the purpose of clothing, other very early mannequins were used exclusively for tailoring and storing clothing items. Though they were not used for display purposes, these early mannequins of wood, wire, wicker, leather, and fabric were very close to the purpose of their descendants.

As human development and commercialism progressed the need for sales displays grew. Charles Worth created the first recorded mannequins for the use of display in Paris, France, sometime in the 1840’s. His goal was to make mannequin forms that resembled his customers so that they could truly observe the clothing from an exterior vantage. These developed into mannequin forms made from wax, wood and heavy fabric that were kept standing by heavy iron feet, planting them to the floor. Sometimes they were shaped with papier-mch or filled with sawdust. These forms were costly to produce, but as the market for expensive clothing climbed, so the production of mannequins increased and became the center stage for clothing display.

By the 1930’s, plaster sculptures were being developed for department stores in New York City. Mannequin forms grew hair or wore glasses to create realistic portrayals, while other less detailed versions drew more attention to physique. As large glass display windows and expensive store lighting became a common trend, mannequins became an essential part of retail window shopping as well as centerpiece displays, and so display mannequins evolved again into fiberglass models that could be easily mass produced. In the 1960’s, detailed and lightweight mannequin forms were manufactured by the thousands. This abundance allowed some manufacturers and designers the freedom to create abstract forms and styles of all shapes and sizes.

Today, the mannequin is an essential part of any retail store display. Shoppers expect to see clothes modeled by these unspeaking models to show them the vision of today’s fashion. Like many things, mannequins have developed from the human desire to create and copy and have developed into a vital part of modern commercial society.

Mannequins are among the most effective sales tools in a retail clothing environment. But mannequins dont just sell the clothes they are wearing. They are actually important tools for selling all of the clothes around them as well. Mannequins show customers what the store is all about and they create an image within the mind of what to expect from the clothes the store carries.

The biggest thing that mannequins provide is a beacon to certain areas of the store. Mannequins dressed a certain way tell people who are in tune with that particular style that this area of the store is for them. They also are the most visible elements of the store from the outside. This is especially important in large malls where window shopping is the name of the game.

It is important that retailers think of their mannequins as an element of interior design within the store. Mannequins are important tools for all clothing retailers because they contribute to the stores overall ambience and personality. More than any other element of the store, the way mannequins are positioned and dressed tells passersby and shoppers what type of customer your store caters to. Be sure that the mannequins appearance supports the mood and flavor you seek to create in the store.

Mannequins have been around for thousands of years but their use in store display is more recent. Kings and Queens who were concerned about their appearance, like the ancient pharaohs, would have a dress form made to their body dimensions. The court dress maker or tailor would use the dress form to display and make the clothes thus avoiding any royal embarrassment during the course of a fitting.

The evolution of this ancient crude dress form through the middle ages and up until just before the industrial revolution is unknown because there are so few written records and no museum examples to study. Wickerwork mannequins were certainly around in the late 1700s and were probably filled with stuffing and leather. Wire-framed versions came into existence in 1835 but mannequins were still not in use for store display. The invention of plate glass, the filament lamp and the sewing machine were the catalysts that put mannequins in the store.

In the 1880s window panes began to be installed in retail establishments and street lights started to appear. The improvement of sewing machines enabled ready to wear clothing to be made in large quantities. The industrial revolution also created a new middle class with money to spend on what was previously only available to royalty and landed gentry – fashionable clothes! More retail stores opened and the store owners needed mannequins to display the latest fashions.

These early mannequins were made of wax, wood or heavy fabric and because they needed to stay upright their feet were made of iron. To give them shape papier-mch and sawdust were used. Consequently the result was an expensive, hard to maintain and very heavy object. However such was the interest in fashion that by the turn of the century the mannequin was already the center of a fledgling industry called ‘window trimming’ which later became known as ‘visual merchandising’.

The Basic Concept Of Clothing

In the apparel industry, most people likely to be some common names, such as clothing, apparel and senior high set uniform confusion, in fact, behind all these names have their basic concept of unity.
Advanced set uniform (Haute Couture) is typical of the French national essence, since 1858 the birth of the French senior fixed uniform already have 150 years of history.
In 1858, Charles Frederick Worth for the first time introduced the concept of fashion design and opened in Paris, named after his personal female tailor for the upper top of the system’s senior clothing store. This is an advanced custom clothing store history. Worth for the first time the identity of designers rather than the traditional tailor in the world. When he designed the Queen’s favor after the French, it is famous. Royal rush around the world, not only the high price of clothing is pleased to pay more has designed clothing Worth proud.
In 1868 the French Federation of established high-level set uniform.
Paris designers a high-level authority set uniform organization, which is now the senior set uniform Federation of custom clothing store on the high scale, technical conditions, conference details and made strict rules. After a lapse of a century, senior custom clothing store in Paris still comply with these traditions.
Haute Couture must meet four conditions:

First, with studios in Paris, to participate in senior fixed uniform Women Association’s annual January and July show the two ladies.

Second, each showing at least 75 or more to complete the design by the Chief Designer

Third, year-round full-time employment of more than 3 models

Fourth, the number of each style of clothes and very little basic by the hand.
After meeting the above conditions, but also approved by the French Ministry of Industry approval to name the “Haute Couture”.
From the French government in 1945 set a series of standards on the industry, the last only Chanel, Christian Dior, Yves saint Laurent and other 20 companies eligible to obtain a uniform high-level set.
Custom process:

Designer according to customer’s unique need for creativity.
Build customized models according to customers, and conduct three-dimensional model with a cloth cutting, punching cardboard production division pattern.
Division chief with the cloth on the production of like sewing clothes, customers try on and make changes

.

Sewing teacher selected fabrics with cutting sewing.
Installed in the test when they make changes and adjustments to detail, a set of clothes to try on at least 3 times to complete.
As the Haute Couture make extensive use of hand-embroidered beading, priced at more than 250 thousand U.S. dollars is not surprising, simple style without embroidery 1-2 million.
Haute Couture world is only 2,000 or so regular customers, today’s advanced set uniform less than 20 brands

.
Paris, New York, Milan and London Fashion Week Four, is the senior clothing distribution and trading activities.
Advanced clothing and general clothing difference, not only in its lot size, quality level, the key is still in its design of the personality and taste, therefore, the senior international designer brand clothing in general are some.

I like Herve Leger dress.Whether set foot on the red carpet to attend the ceremony or participate in town meetings, Herve Leger clothing will be for you to create a memorable image.

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